Wednesday, May 29, 2013
Thursday, May 23, 2013
The Sci-Fi Boys (Documentary 2006)
Legendary all-stars of cinema bring to life the evolution of science-fiction and special effects films from the wild and funny days of B-movies to blockbusters that have captured the world's imagination. This is the story of the Sci-Fi Boys, who started out as kids making amateur movies inspired by Forrest J Ackerman's FAMOUS MONSTERS magazine and grew up to take Hollywood by storm, inventing the art and technology for filming anything the mind can dream.
Wednesday, May 22, 2013
The State of the VFX Industry and where do we go from here
Scott Ross and Scott Squires speak about the Past, Present and Future of the VFX Industry and potential solutions to the myriad of problems facing us all.
Effects Corner - Scott Squires blog
VFX Business - Scott Ross blog
The State of the VFX Industry and where do we go from here from Rick Young on Vimeo.
Effects Corner - Scott Squires blog
VFX Business - Scott Ross blog
The State of the VFX Industry and where do we go from here from Rick Young on Vimeo.
Tuesday, May 21, 2013
Monster Maker Interview with Oscar Nominee Shane Mahan
This is a fantastic interview with Shane Mahan via Stan Winston School of Character Arts
SHANE MAHAN - SUPERVISOR FOR STAN WINSTON STUDIO & CO-FOUNDER OF LEGACY EFFECTS.
Friday, May 17, 2013
Wednesday, May 15, 2013
Monday, May 13, 2013
Saturday, May 11, 2013
1973 Interview with Ray Harryhausen
Chris Kelly interviews special effects wizard Ray Harryhausen back in 1973 on the art of stop motion animation and promotes Columbia Pictures' new film, The Golden Voyage Of Sinbad
Wednesday, May 8, 2013
Tuesday, May 7, 2013
Monday, May 6, 2013
ILM - Realtime Facial Animation With On-the-fly Correctives (SIGGRAPH 2013)
More info here: Hao Li - Realtime Facial Animation With On-the-fly Correctives
Published on Apr 19, 2013
SIGGRAPH 2013 Paper Video: We introduce a real-time and calibration-free facial performance capture framework based on a sensor with video and depth input. In this framework, we develop an adaptive PCA model using shape correctives that adjust on-the-fly to the actor's expressions through incremental PCA-based learning. Since the fitting of the adaptive model progressively improves during the performance, we do not require an extra capture or training session to build this model. As a result, the system is highly deployable and easy to use: it can faithfully track any individual, starting from just a single face scan of the subject in a neutral pose. Like many real-time methods, we use a linear subspace to cope with incomplete input data and fast motion. To boost the training of our tracking model with reliable samples, we use a well-trained 2D facial feature tracker on the input video and an efficient mesh deformation algorithm to snap the result of the previous step to high frequency details in visible depth map regions. We show that the combination of dense depth maps and texture features around eyes and lips is essential in capturing natural dialogues and nuanced actor-specific emotions. We demonstrate that using an adaptive PCA model not only improves the fitting accuracy for tracking but also increases the expressiveness of the retargeted character.:
Friday, May 3, 2013
The 50 Greatest Matte Paintings Of All Time
Here is a great collection of some of cinema's finest matte paintings. If you're looking for more in depth info I highly recommend 'The Invisible Art: The Legends of Movie Matte Painting' by Mark Cotta Vaz and Craig Barron.
The 50 Greatest Matte Paintings Of All Time via Shadowlocked
Also check out // Movie Magic Episode 8 - Matte Paintings
Wednesday, May 1, 2013
Behind The Scenes of 'Oblivion'
fxguide podcast
Interview with Oblivion DOP Claudio Miranda, ASC and Digital Domain visual effects supervisor Eric Barba
// Thom Tenery: Oblivion Concept Art
The Sound and Music of Oblivion
Motion Graphics
Oblivion Premiere Interviews - Tom Cruise, Cast & Director
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